Pierluigi Di Francesco's pictorial works go beyond the simple recording of types or adjectives and aim towards the expressivity brought about by the personal interpretative force of reality.
The subjects which are focused upon are vividly silhouetted against a dark background which are capable of freeing themselves in contrast to those lateral beams of light that gain harmonic shapes of extraordinary beauty.
At times the shattering of the lights into reflections and flashes are created by using export brush-strokes and effects ranging from tones of violet, yellow to red and green which puts the figures as well as the sensations, violence and sexuality into evidence.
The images far from being fixed on the canvas in static poses, are gathered in their multiplicity of movements and in gestures filled with plasticity, to the point where they all seem to be alive so as to become vital elements capable of evoking sensations.
The subjects that are represented stand out with powerful physicalness and capture our attention because they are endowed with great expressiveness and powerful magnetism. The shapes are erect as statues with their fine physiques and with their bodies caught between plays of light and shadows which seem to send back to the eyes of the beholder, a thick network of evocative allusions.
It is their way of protracting themselves, of turning around or of softly bending down almost as if wanting to break the seclusion of the poses that creates a communicativeness both intense and apparent.
The study of the costruction of space, made of colours and signs, through a prospective vision, turns the work into an image which in almost three dimensional.
In conclusion, Pierluigi Di Francesco 's works, even considering his own particular thematic study and taking into consideration the human soul, have the merit of being endowed with figural architecture which results in being extremely innovative and that reveals the authentic seal of art.

Adelo Turco Cileno